PAST EXHIBITIONS
Aphorisms & Verses
Works from the GMoA Collection by Ben Shahn and Marvin Saltzman
November 15, 2024 - January 3, 2025 | West Wing & Commons Galleries
Aphorisms & Verses: Works from the GMoA Collection by Ben Shahn and Marvin Saltzman explored the intersections of visual and literary art. Through a focus on inspiration, interaction, and emotional evocation, the exhibition displayed work by two renowned artists, Ben Shahn and Marvin Saltzman. The West Wing Gallery featured a series of lithographs by social realist artist Ben Shahn (1898-1969), inspired by the poet Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge. These evocative prints offered a visual interpretation of Rilke’s poetic musings.
The Commons Gallery highlighted two series of serigraphs by Chapel Hill, NC-based artist Marvin Saltzman (b. 1931): the 1963 Paint the Window Purple portfolio, created in collaboration with poet Ronald Bayes, and the 1970-75 Chapel Hill Gravel portfolio, a collaborative effort with five different poets. These works demonstrated the power of artistic collaboration and the unique constructive interaction between visual and literary expression. GMoA invited visitors to engage with the exhibition through a variety of interactive opportunities.
The Home I Never Knew: Ni de Aquí, Ni de Allá
June 7 - November 1, 2025 | West Wing & Commons Galleries
The Greenville Museum of Art was privileged to host The Home I Never Knew: Ni de Aquí, Ni de Allá. Guest curated by Flor Herrera-Picasso, co-founder of Casa Azul de Wilson, this exhibition brought together a wide range of Latino/a/x perspectives, traditions, cultures, and media. Emphasizing the idea of “ni de aquí, ni de allá,” or “not from here, nor from there,” the 24 participating artists’ work spoke to the diversity of experiences and identities among Latin communities associated with both being from their countries of origin and living in the United States. While much of the exhibited artwork touched on ideas of identity and a sense of “in-betweenness” reflective of the title of this exhibition, other themes spoke to the Latino/a/x community and universal human experiences. Our goal was to create a space both for Latino/a/x individuals to see aspects of their own lives represented and for visitors to connect and empathize with the artists’ messages.
Thanks to funding provided by the North Carolina Humanities Council, we are delighted to offer a digital version of this exhibition featuring both English and Spanish translations.
