THE HOME I NEVER KNEW: NI DE AQUÍ, NI DE ALLÁ

June 7 - November 1, 2024
Greenville Museum of Art | West Wing & Commons Galleries

Maria Ramirez

“I feel a sense of nostalgia to a place I’ve never known. I have both beautiful images formed with descriptions from family and empty gaps that I can never fill.”

Caminando Por el Campo
2023
acrylic and oil on canvas

Las Mariposas de Michoacan 
2023
acrylic and oil on canvas

El Panteón de Mi Gente
2024
acrylic and oil on canvas

El Desierto de Mexico
2023
acrylic and oil on canvas

ARTIST STATEMENT

This work was influenced by my experience of growing up in America as an immigrant from Mexico. Having immigrated to the United States at a young age, I often find myself yearning for a place I’ve never been — a homeland that exists in the memories of my ancestors, in the stories passed down through generations. I wanted the audience to share in the feeling of incompleteness. When you look at my work, there is space for the viewer to sit in its missing pieces, the longing palpable, as if trying to recreate a sense of home that exists solely in our imagination. My art serves as a bridge between cultures, a visual dialogue that explores themes of identity, belonging, and longing.

DECLARACIÓN DEL ARTISTA

En esta obra influye mi experiencia de crecer en Estados Unidos como inmigrante de México. Al haber inmigrado a los Estados Unidos a una edad temprana, a menudo me encuentro anhelando un lugar en el que nunca he estado, una patria que existe en los recuerdos de mis ancestros, en las historias que se han transmitido a través de generaciones. Quería que el público participara en la sensación de estar incompleto. Al ver mi trabajo, hay espacio para que el espectador se siente en las piezas faltantes, la nostalgia palpable, como si tratara de recrear una sensación de hogar que solo existe en nuestra imaginación. Mi arte sirve como puente entre culturas, un diálogo visual que explora los temas de identidad, pertenencia y nostalgia.

INTERVIEW WITH THE ARTIST | ENTREVISTA CON LA ARTISTA

Why do all blank spaces depict children? The children in each painting are my own. I have three kids = three paintings. Not only is this a deeply personal image, there is also an almost universal association of discovery and innocence with children. Although, they may not have the same sensation of a missing connection as I’ve experienced, their presence in the paintings serves as a reminder of the vulnerability that often accompanies separation from ancestral lands. Children also symbolize hope and the future, highlighting the longing for bonds to endure across generations despite physical distance. I hope they serve as a reminder of the longing for ancestral ties, evoking nostalgia and a yearning for connection.

How has being Mexican affected your perspective on the world? Every experience has the potential to shape our perspective on the world. It’s hard to say which part of my views are specific to my heritage. Being Mexican is an important part of who I am, but it’s not the only factor. Being Mexican is intertwined with societal experiences and expectations that have been generated over time. These include cultural norms, historical events, and interactions with diverse communities. Growing up with Mexican traditions and values has instilled in me a deep appreciation for family, community, and resilience. It has also fostered a sense of solidarity with marginalized groups. Overall, being Mexican has enriched my perspective by providing a unique lens through which to view the world, while also reminding me of the interconnectedness of humanity.

Do you have any memories of Mexico, and do you go back? No, I have no actual memories of my own. I migrated with my parents at the age of one. They were contracted agricultural workers.

How is the culture in the South different from the culture in Mexico? What do you wish to convey with the blank spaces in your pieces? I feel a sense of nostalgia to a place I’ve never known. I have both beautiful images formed with descriptions from family and empty gaps that I can never fill. Some of those places have changed over time and will never be the same. I thought a lot about how I could depict this sensation of emptiness or missing pieces in an image, my paintings are the result of that process.

What is the hardest part of being away from your family? My painting of the cemetery with the little girl peering from behind a door is an expression of this very sensation. Because I haven’t had the opportunity to go and meet family, I don’t have the emotions typically associated with missing family members. I hear about people passing over the years, grandparents, aunts, uncles and I know something is lost, however not to the degree of feeling the void firsthand. The hardest part of being away from family is not just missing out on the physical presence or shared experiences, but also the emotional connection and support they provide. It’s the absence of familiar faces, comforting hugs, and the ability to share joys and sorrows in person. My painting captures the eerie solitude and longing for connection, symbolized by the image of the little girl peering from behind a door, perhaps longing for the warmth and familiarity of family.